Neon pattern postcard excess

I started by thinking about absence, demolition of buildings, disappeared architecture, which is one of the main impulses behind the Chahar bagh collages. In these images here , in real life,the structures are still standing of course (Damavand, Persepolis, different beautiful mosques) but there's an imagining of landscape with their loss.I've been playing with postcards and pattern and colour. A bit excessive, but I tend to try pushing pattern to the maximum and then pull back a little. Perhaps there is further still to go? 

Persepolis & the industrial structure

I'm having trouble thinking of a bland and ambiguous title for this set of stamp collages. Dams and bridges seem somehow more iconic or appealing than the tower-block image, but they do appear to be rising phoenix-like from the Persepolis ruins.  
However, I now have a collection of cut-out iconic portraits of the Shah, edited from the stamps......

Persepolis: chahar bagh, Garden of Cyrus and Browne's quincunx combined.