Although the Cyrus Garden Project, as funded by the Arts Council, has officially ended, the visual research and inquisitiveness continues unabated. The initial points of interest and departure remain, although perhaps morphed or transmuted or diverted into new and different areas. These new pockets of interest are connected by threads (perhaps silken, who knows) to the umbrella of WW2 and Persian Gardens. So much remains a continuing work in progress. And as ever, I have difficulty editing out these interests, so many are fascinating and perhaps distracting.
Perhaps a mini review is in order? A list of outcomes and shortcomings, such as those sent in the Arts Council report? Except I think that all these things are embedded within this scrapbook and there for all who care to delve into.
The end of the project calls into question the aims of this visual scrapbook now - is this a natural conclusion or an arbitary deadline somewhat disconnected from the organic nature of the research process itself? This is, of course, one of the difficulties I experienced through all those months of creating the Afterlife -Docks Inventory book, trying to define the elements of a process whilst still in the midst of the process. (Incidentally, I am still working on different versions of the inventory, just as the research process has continued.) It is all a journey of discovery.
This image took my fancy today, not sure why. It is a telephone in the Western Approaches Museum, Liverpool from The Touring Territories first research visit there.